![]() ![]() The last part of the thesis exposes how MPB’s hybrid nature and its connections to Brazilian musical traditions helped to shape the cultured middle class as an imagined community.Ī central concern in neo-institutional research is the genesis of new organizational fields. Genres and styles which influenced MPB, as well as subgenres, movements and musicians which are part of the genre’s history, are examined, explained, and placed in context. In subsequent chapters the middle class and MPB are placed in perspective within the social, economic and political transformations that shaped the Brazilian society from the 1930s to the 1970s, with special attention to the 1960s, a period during which both the middle class and MPB developed. The first chapter of this thesis presents these theories in their original contexts and explains how they apply to MPB and the Brazilian middle class. The intersection of Nestor Garcia Canclini’s theory of hybrid cultures, Eric Hobsbawm and Terence Ranger’s theory of invented traditions, and Benedict Anderson’s theory of imagined communities will provide an interpretative framework within which the development of MPB and its interaction with the middle class can be more clearly and fully understood. In this thesis I will argue that MPB has been for fifty years the cultural form par excellence of the urban and educated Brazilian middle class. The Brazilian musical genre known as MPB was created in the late-1950s by members of the rising Brazilian middle class. ![]()
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